Insights

The whisky and spirits industry is built on stories — of people, places and production.

Through our work with distilleries and drinks brands around the world, we see first-hand how communications shapes the way those stories are told.

In this section we share observations and analysis on whisky, media and brand storytelling, drawing on our experience working across the whisky industry.

Many Hands, Fewer Egos
James Bunting James Bunting

Many Hands, Fewer Egos

They could have eaten the loss and hoped nobody noticed the gap in the release schedule (anyone who has even heard of an accountant knows this wouldn’t be an option). They could have quietly paid someone to fill the gap and never speak of it again. Blending away the different distillery character and putting it down to any number of factors.

Or they could fill the gap and turn it into a story of collaboration, of English whisky, and of creativity through adversity.

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Why I love Bruichladdich Old Skool so much
James Bunting James Bunting

Why I love Bruichladdich Old Skool so much

I’ve done more than a few packaging announcements in my time in whisky. And you don’t need Jane Austen to tell you that it’s a truth universally acknowledged that the “innovative new look and feel that showcases the flavour cues of the range” is actually just a sans serif font and a splash of purple.

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Why Brand-Agnostic Press Trips Work
James Bunting James Bunting

Why Brand-Agnostic Press Trips Work

Why brand-agnostic whisky press trips are an effective way to showcase distilleries, regions and production philosophies while creating richer stories for journalists.

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